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Jamie Holdham

Jamie Holdham

0:42	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 Flutes	13	3	8	4	92%
Bass Flute	9	0	6	4	80%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 Flutes	13	3	8	4	92%
Bass Flute	9	0	6	4	80%
Harp II	6	3	5	3	70%
	0	0	0	0	0%
3 Clarinets in A	7	0	4	2	50%
1 Piccolo	3	0	1	2	40%
2 Oboes	8	6	2	2	40%
Harp I	3	1	3	3	40%
	0	0	0	0	0%
3 BASSOONS	3	0	2	4	33%
4 Horns in F	2	1	0	1	20%
3 Trombones	3	1	0	2	20%
Horn in F	2	1	0	1	20%

Jamie Holdham

0:19	Est. Play Time
98	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Timpani.	2	0	0	4	77%
Fagotto, Organo e Continuo.	15	0	4	3	76%
View all 12 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Timpani.	2	0	4	77%
Fagotto, Organo e Continuo.	15	4	3	76%
Violino I.	20	5	3	69%
Violino II.	20	5	3	69%
Flauto traverso I.	8	2	5	62%
Flauto traverso II.	10	3	5	62%
Tromba I.	8	0	3	62%
Oboe I.	9	3	5	54%
Oboe II.	8	2	5	54%
Tromba II.	8	0	3	54%
Viola.	10	3	3	54%
Tromba III.	6	0	3	46%

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Jamie Holdham

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncell.	25	0	12	2	87%
1.Violine.	23	0	11	2	85%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncell.	25	0	12	2	87%
1.Violine.	23	0	11	2	85%
2.Violine.	23	0	11	1	80%
Bratsche.	19	0	9	1	80%
Contrabass.	25	0	12	1	77%
3 Posaunen.	24	40	9	4	55%
3 FAGOTTE.	31	39	12	4	51%
4 Horner in Es.	13	0	11	8	42%
1. und 2.Clarinette in B.	14	0	3	8	42%
1.und 2. Hoboe.	14	0	3	8	42%
BASS-TUBA.	22	0	7	4	42%
E Horn	13	0	11	8	42%
2 Trompeten in Es.	8	9	0	10	34%
1 Pauke.	4	0	2	8	33%
2 Trompeten in F.	6	3	1	9	30%
2 Pauken.	4	0	2	9	29%
2 Trompeten in D.	7	8	5	8	21%

Jamie Holdham

2:20	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	4	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%